• Acapulco Lips | Now
    Pow Magazine

    Acapulco Lips | Now

    Seattle’s Acapulco Lips have always been a band you could count on for sun-baked fuzz, jangly hooks, and that sweet spot where garage grit meets 60s girl group charm. But Now — their latest full-length via Killroom Records — feels like they’ve taken that cocktail, added an extra shot of swagger, and served it with a little more bite. Produced by Killroom co-founders Ben Jenkins and Troy Nelson and mastered by Pacific Northwest punk legend Kurt Bloch, the record oozes analog warmth and a lived-in confidence that only comes from over a decade of doing this thing for real. From the opening swirl of “Welcome to the Other Side,” you’re…

  • Pow Magazine

    Dig this! Dean Wareham: Interview and Velvet Love Letter

    It’s hard for me to recall the first time I heard Dean Wareham. This musical moment most likely hit in a midwestern, red-bricked dormitory. Tune your time turning musical transport to 1989-1990. Let us revisit the salad years of an under-utilized undergraduate college. The VU-soaked, jangle-garage vibe was in heavy rotation on the college radio airwaves of that personally seminal era. I read a lot of music mags at the time, too. I recall the full-throated critical endorsements of the Velvets on every best-of and must-have list of the indie and commercial rags.   In 1990, I was a poorly dressed, bespectacled college sophomore skipping my required reading for beer benders…

  • Audio,  Music Reviews,  Pow Magazine

    The Love Dimension – Balance Album Review

    San Francisco has long produced great psychedelic music, and The Love Dimension’s newest album – Balance – is no exception. A little blues-rocky, a bit surf-rocky, and a whole lot of psychedelic, Balance is a journey into the San Francisco soundscape of the 60s through a modern lens. The journey through Balance was really enjoyable – all of the tracks are fantastic in their own right. However, I feel it’s better to take time to go into depth on a few select highlights of the album rather than each song on the album. This album had really unexpected opening and closing tracks: Frogs of Meadow Creek and Frogs of Meadow…